Angels and demons

Plucking the same violent, occult strings as "Da Vinci" while avoiding its leadenness, "Angels & Demons" keeps the action coming for the best part of 139 minutes. Scripters David Koepp and Akiva Goldsman have taken a firmer hand with Brown's material. The opening scene, for example, omits the hypersonic Vatican jet that transports crack Harvard symbologist Robert Langdon (Tom Hanks) from Cambridge to Geneva in an hour, opting for more conventional means to get him to Rome and into the thick of the action.

Although this attack of realism might disappoint the book's die-hard fans, it pays off in depicting the Vatican as a fairly "normal" nation-state, and not as some all-powerful SMERSH-like nemesis.

The story line is brilliantly simplified into Langdon's search for the four cardinals, with Vetra (Zurer) and Olivetti (Favino) as his sidekicks. His job is to find angel sculptures inside churches, which point to other churches. Black police cars race dangerously through the crowded Roman streets, always arriving five minutes too late to prevent the grisly death of an aged cardinal who has been branded with the words Earth, Air, Fire or Water.

Hanks fits more comfortably into the role of Langdon here, taking a moment to deliver some friendly one-liners. If "Da Vinci" was criticized for the lack of sexual chemistry between its protagonists, "Angels" simply refuses to suggest any kind of romance between Langdon and Vetra. Their total lack of a relationship is so stunning successful that it passes unnoticed.

Hanks does a likable job of glossing over every implausibility, allowing the action to climax in gut-churning shots borrowed from cheap horror films.